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The Homiletical Plot, Expanded Edition: The Sermon as Narrative Art Form is unavailable, but you can change that!

Now in reissue with a new foreword by Fred B. Craddock and afterword by the author, Eugene L. Lowry, The Homiletical Plot, Expanded Edition follows in the same solid tradition of its predecessor. Upon its release, The Homiletical Plot quickly became a pivotal work on the art of preaching. Instead of comments on a biblical passage, Lowry suggested that the sermon follow a narrative form that moves...

begins. The congregation expects the gospel to be proclaimed one way or another, and for Jesus Christ to emerge as Savior and Lord—the answer to the sermonic bind. But how? In what way? For what purpose? This unknown middle ground provides the context for sermonic tension. It should be noted in the context of the parallel between sermons and literary plots that the suspense of ambiguity—the not knowing what or why or how—is the key to the attention of the audience. In the case of the movie High Noon,
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